People often associate sweep picking with arpeggios. But it is important to realize that arpeggios are simply chords whose notes are played individually. Sweep picking is simply a technique for playing arpeggios (Jazz trumpet players play arpeggios but you can be sure they are not sweep picking them - maybe sweep blowing?)

The exercises in this lesson go over a particular type of arpeggio called the triad. If you want to learn a little about the theory behind triads, then check out the Diatonic Scale section. I give a brief overview there. Basically, if we were to examine all 7 diatonic scale modes and form triads by taking the 1st, 3rd, and 5th notes of each scale, we would find that there are only 3 unique triads. These are the Major, Minor, and Diminished triads. I have indicated them in 3, 4, and 5 string form and you should become comfortable with them in that order.

Make sure that when you play the exercises you don't let the notes bleed into one another. I recommend that once you get up to speed, you record yourself and then use a program like Cool Edit Pro to slow down the recording and confirm that you are indeed playing all the notes. It is easy to muffle them (i.e. they get lost in the sweeping motion) and evaluating recordings will help you assess where you stand.

This exercise shows you how to play a Diminished triad arpeggio across 3 strings using sweep picking. The Diminished triad is the last of the triads. In any given key, it only goes with the 7th note (i.e. the Locrian mode).

Here is the Diminished triad shape. This exercise only deals with the G, B, and E string.

Approach this exercise just like the first one. Refer to the first exercise for any special instructions.