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Main Lessons: Scales:Non-Diatonic:Harmonic Minor:Harmonic Minor mode 5 - Spanish Gypsy, Phrygian Dominant
Harmonic Minor
by bhuether
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While one could conceivably go about their entire guitar existence without knowledge of anything other than the Pentatonic and Diatonic Scales, it is an entirely worthwhile endeavor to expand and examine certain scales that come about through simple modifications of the Major Scale (Ionian) and Minor Scale (Aeolian). In this lesson we will look at the Harmonic Minor scale and its modes. You will find that these modes sound radically different from the Major scale modes. With the Harmonic Minor modes, you can achieve a wide variety of sounds, from a Middle Eastern sound to a Spanish Gypsy (check out the 5th mode...) sound. People often associate Harmonic Minor with the so-called Neoclassical players like Yngwie Malmsteen, but the scale goes much deeper than that, as I think you will soon find out.

When you practice these, keep in mind that the Diatonic Scale exercises apply here as well (3 octave scales, sequences and patterns).

Also, since I am using G Harmonic Minor for these exercises, you should expect that these modes will be similar to all the modes in Bb Major (because G Minor is the Minor mode of Bb Major). The table below shows which Harmonic modes are similar to which Major modes. (Note: They are similar - not the same!)

Harmonic Minor Mode Major Mode
1. Harmonic Minor 6. Minor (Aeolian)
2. Locrian Natural 6 7. Locrian
3. Harmonic Major 1. Major (Ionian)
4. Spanish Phrygian, Romanian 2. Dorian
5. Spanish Gypsy, Phrygian Dominant 3. Phrygian
6. Lydian b3 4. Lydian
7. 5. Mixolydian

 

Relation of Harmonic Minor and Major Modes


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Harmonic Minor mode 5 - Spanish Gypsy, Phrygian Dominant
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I said once that when it comes to arpeggios, the Dominant 7th is my favorite. Well, when it comes to scales, this one is it! Sometimes, I will go on the internet, tune into some Spanish Gypsy music station, and just go nuts with this mode. It is almost as if the music takes possession of your fingers. I find that type of music to be the easiest to improvise over. Anyway, enough rambling.

This scale is often used over the V chord (Dom7, Dom7b5, etc). So if you are in C Major, this scale would sound nice over a G Dom7, for example.


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Fretboard diagrams made with AxMaster

Here we see the Spanish Gypsy, Phrygian Dominant. The only difference between this shape and the Phrygian mode is that here, the 3rd note is raised.



Harmonic Minor mode 5 - Spanish Gypsy, Phrygian Dominant
MIDI


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See exercise 1 for any special instructions. Also, try ascending with the Spanish Gypsy and descending with the Phrygian.

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