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Main Lessons: Classical::Playing With The Devil - Paganini Caprice 16:Playing With The Devil - Paganini Caprice 16, Part 2
Playing With The Devil - Paganini Caprice 16
by bhuether
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There are several urban legends surrounding Paganini, such as the legend that he sold his soul to the devil so that he would be able to play the violin with such fiery virtuosity. Having learned a few of his pieces I can certainly see how such a transaction might have led to the devilishly difficult pieces for which he is known. Caprice 16 is one such piece. My personal favorite of his famous 24 Caprices, Caprice 16 is tour de force of scalar passages, arpeggios, string skipping and rapid position shifting.

You may have noticed that I did a lesson a while back on this piece. I have since re-learned it and arrived at fingerings that I think work better compared to those I used in my previous Caprice 16 lesson.


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Playing With The Devil - Paganini Caprice 16, Part 2
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Hopefully you have gone through Part 1 of this guitar lesson. Most of the techniques from Part 1 carry over into the measures that we are looking at in this guitar lesson - string skipping, arpeggios, rapid position shifting. These measures also contain some more linear, scalar lines which are refreshing since they are easier to execute compared to other sections of the piece.


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Playing With The Devil - Paganini Caprice 16, Part 2
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Above is the tab for measures 7-21. Here are some tips:

  1. Even though the piece is written out in straight 16th notes, do not play this piece with metronome precision. Find some recordings of violinists and notice how they let the piece breath. Insert pauses to your liking.
  2. Do not try and play this piece at ludicrous speed. It simply does not lend itself to16th notes at 220 BPM. Most violinists play it around 130-140 BPM and my recording is done at tempos similar to those played by violinists.
  3. Experiment with fingerings! There is tab available online for this piece but so far I have yet to come across a version with fingerings I like. I had to go through a lot of trial and error before I came across fingerings that worked well for me. You may not like my fingerings (especially the string skipping parts) so do what works for you!

Note: My audio recording contains the entire piece. Measure 7 comes in around 31 seconds into the recording. The MIDI file contains measures 1 - 21.

Later,

Brian Huether

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