Reaching New Guitar Playing Heights
Now that you have learned the basics of Rhapsody ,
you are ready to take your guitar playing to the next level! Find some great
music and start playing along. Here are some tips that are guaranteed to get
you well on your way to being a well rounded guitar player: I have selected
a variety of songs to play along to and have indicated possible scales that
you might find useful for soloing. But as with any song, there is never one
correct scale. Just let your ears be your guide.
- Blues - Regardless of what your preferences are, developing
basic blues skills will go a long way towards building improv abilities and
will improve your ability to play from within, from the soul. And believe
me, that will carry over to your own personal style. If you listen to players
like Satriani you will notice how they add elements of blues into their playing
to give them very unique styles of expression. Call up some blues on Rhapsody
and play along to the greatest bluesmen of all time. If a more modern, rock
blues style suits your tastes, then definitely check out Steve Ray Vaughn,
Neal Schon and Gary Moore. Andy Timmons also can play some serious blues.
And let's not forget the fluid, melodic blues of David Gilmour.
| Song |
Artist |
Scale Ideas |
| Falling Down |
Andy Timmons |
G Min Pentatonic |
| Cherry Red Wine |
Luther Allison |
D Min Pentatonic |
| Story of the Blues |
Gary Moore |
A Min Pentatonic |
| Still Got the Blues |
Gary Moore |
G Min Pentatonic |
- Jazz/Fusion - One of my greatest regrets as a guitarist
is ignoring jazz and fusion for so long. I often wonder what sort of guitarist
I would be today if I had studied jazz early on. In any case, with Rhapsody
at my fingertips I am certainly making great strides. Don't worry about all
the theory that tends to go along with Jazz. Just play along. As long as you
have a basic knowledge of scales, chords, and arpeggios you will be able to
develop an ear for jazz. I once read a quote from Allen Holdsworth. He says
he never learned scales and such. He just has an idea of where he is going
to start a run and where he is going to end. All bets are off for everything
in between. And if you listen to Jazz sax players you get the feeling that
they are taking a similar approach. Some recommended choices to dial in on
Rhapsody are Pat Metheny, John Coltrane, Allen Holdsworth, Larry Coryell,
Pat Martino, John Abercrombie, Jimmy Bruno, Larry Coryell, Larry Carlton and
Al DiMeola.
| Song |
Artist |
Scale Ideas |
| How Insensitive |
Larry Coryell |
D Harmonic Min (and many others...) |
| Circular Quay |
Frank Gambale |
Bb Maj (you'll want to throw in some outside notes...) |
| Peril Premonition |
Allan Holdsworth |
Just go with it! |
| Labor Day |
John Abercrombie |
Just try and emulate the interplay between guitar and sax! |
- Spanish/Flamenco - Especially if you have an acoustic guitar,
playing along to Spanish and Flamenco guitarists will instill in you a new
found sense of passion and fire. And with a heavy reliance on Minor and Harmonic
Minor scales, playing along to this sort of music is more readibly accessible
than the more free form nature of jazz. I highly recommend taking a listen
to Paco de Lucia, Armik, Gypsy Kings, Al DiMeola (his work with Paco de Lucia
and John Montgomery on the albums Friday Night In San Francisco,
The Guitar Trio and Passion Grace and Fire) and Jesse Cook.
| Song |
Artist |
Scale Ideas |
| Mediterranean Sundance |
Al DiMeola, Paco de Lucia |
G Maj |
| Lagrimas de Guitarra |
Armik |
Gb Harmonic Min |
- Classical Violin, Celtic Fiddle - We don't have to limit
ourselves to other guitarists for drawing upon inspiration and influence.
Much like how playing along with Jazz sax plyers can do wonders for your jazz
guitar playing, playing along to solo violin virtuosos and celtic fiddle masters
will open up a whole new dimension of phrasing. Fiddle players take advantage
of the instrument's tuning in fifths to play those firey, wide intervallic
runs. Check out the album Celtic Fiddle Festival to get yourself
started. Emulating fiddle players will have your hands moving all over the
fretboard and will do wonders for coordination!
| Song |
Artist |
Scale Ideas |
| Sonata No. 6 in A Min, Paganini |
Scott St John |
A Min |
| Dionne Reel / Mouth Of The Tobique |
Kevin Burke |
D Maj |
| Sonata No. 1 in G Minor - Presto, Bach |
Nicholas Goluses |
G Min* |
| 24 Caprices, Op. 1 - No. 16 in G Minor, Paganini |
Ilya Kaler |
G Min* |
* These pieces should be learned note for note. Learning
these will do absolute wonders for your alternate picking chops!
- Instrumental Rock - Of course I can't leave out Instrumental
Rock. In particular, Joe Satriani seems to be at the top of his game lately.
Give a listen to his latest album and play along to Satch the Great. In particular,
check out his new tune Theme for a Strange World and Redshift Riders which
both lend themselves very well to soloing over with Harmonic Minor. Though
not as well known as Satch, Andy Timmons is another guitarists who will make
you want to be a better player. He has one of the most unique styles of the
Instrumental Rock genre. He has some serious blues and jazz influence and
in general has such interesting note choice that it makes him nearly impossible
to emulate. Other must check-outs are Neal Schon, Neal Zaza, Steve Lukather,
Eric Johnson and of course Steve Vai (Vai's #7 track is always his best on
all his CDs...).
| Song |
Artist |
Scale Ideas |
| Movin On |
Joe Satriani |
C Min Pentatonic, Bb Maj |
| Deliver Us |
Andy Timmons |
G Harmonic Min |
| Blue Passion |
Neal Schon |
D Min, D Min Pentatonic |
| Whispering on a Prayer |
Steve Vai |
E Maj |
| Cry For You |
Andy Timmons |
Db Min, Db Min Pentatonic |
| Up in Flames |
Joe Satriani |
C Maj, D & A Min Pentatonic |
| Carpe Diem |
Andy Timmons |
Tonality changes a lot Ab Maj, Bb Min Pentatonic for starters |
| Camel's Night Out |
Eric Johnson |
C Maj (make use of wide intervals) |
| Theme For a Strange World |
Joe Satriani |
A Harmonic Min, A Melodic Min for starters; C Harmonic & Melodic
Min |
| Super Collosal |
Joe Satriani |
Db Min Pentatonic, Gb Maj (especially the Db Mixolydian mode) |
| Moon Dust |
Neal Schon |
A Min Pentatonic |
| If I Could Fly |
Joe Satriani |
A Maj, B Min Pentatonic |
I hope you have enjoyed this tutorial. I think you will have a profound appreciation
for the wonders that Rhapsody can do for your playing. If you are currently
in a slump, then this turorial is a guaranteed recipe to pull you up and over
the wall. Good luck on your quest to reach guitar playing salvation!
Regards,
Brian Huether
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